“School buses disgorged students at the front entrance. Rosa and Jasper kept to the very back of the crowd, and the crowd moved to keep well clear of them. No one wanted to be knocked over by the inhospitable door.” page 173
A Festival of Ghosts (Ingot #2) by William Alexander, illustrated by Kelly Murphy. Margaret K. McElderry Books, Simon and Schuster, New York, 2018, my paperback edition 2019. MG fantasy, 264 pages plus excerpt. Lexile: 610L . AR Level: 4.5 (worth 6.0 points) . NOTE: This book is a direct sequel to A Properly Unhaunted Place and this review will contain major spoilers for that novel. FURTHER NOTE: Pictures on this review are part of the pink posts.
The continuing adventures of Rosa Diaz, from a family of librarians who specialize in ghost appeasement, and Jasper Chevalier, native to the unhaunted town of Ingot and the son of two Renaissance Faire leaders.
We enjoyed the previous book, so I was happy to continue this story, although it wasn’t immediately obvious where this one would go. After all, I felt the previous book worked well as a stand alone novel. However there was one thread left unteased, and of course that was pulled in to this new story, along with a number of new problems.
While I like to see Deaf characters in books, a few points in this book – especially the use of SimCom – felt awkward and forced.
Where do all my conversational essays come from? Reviews that have gotten far too long, of course. Yesterday my review of a novel called Cattywampus went up (or should have, I’m writing this well before posting).
Overall I enjoyed the novel (see the review for more details) but the ASL aspect sometimes felt off in ways that were hard to describe. Talking about it took up way too much of the review, so here’s a separate post for those who wish to delve deeper into this aspect of the book. First I wish to give a major disclaimer that I personally am not Deaf nor Appalachian so it is very possible that I’ve gotten some aspects of this wrong. I do have deaf, Deaf, and hard of hearing friends and family, and am familiar with, although not fluent in, American Sign Language.
If you are yourself or know of reviewers who discuss this topic from either of those standpoints, or from the intersex view which I don’t get into here but discuss in the main review (as it is a more major part of the novel) please share those reviews! Since Disability in Kidlit is now ended, I have been hoping for Sharon Pajka to review this book on her blog, but haven’t seen a post about it yet.
“The weight of Delpha’s secret tugged at her gut, promising to rearrange her life nine ways to Sunday if she’d let it.” page 5
Cattywampus by Ash Van Otterloo. Scholastic Press, New York, 2020. MG fantasy, 280 pages. Lexile: 810L . AR Level: not yet leveled
Delpha’s strict mother’s biggest rule is a total ban on magic. But as they sink deeper into poverty, Delpha is ready to break any rule to prevent more of her beloved grandmother’s treasures from being sold off as tourist souvenirs.
Since finding out she’s intersex, Katybird has desperately wanted magic to prove she’s the successor to her family’s magical traditions. When that longed-for Hearn magic doesn’t manifest as planned, she’s desperate for a magical fix – even from a McGill like Delpha.
Together the girls unleash a terrible curse – threatening not just their families, but the whole valley.
When a slur about Julia’s best friend is left defacing the gym for far too long, she takes matters into her own hands, only to be ratted out. Now she’s navigating mainstream high school with an interpreter, trying to deal with friendship drama, her moms, and a growing tag war.
So often in a book about a Deaf person or one that has ASL, it’s shockingly clear the author has no experience around a deaf or hard of hearing person. For example, hearing authors often write Deaf characters as quiet. While some Deaf people might not like to vocalize among hearing people, I’ve yet to meet a Deaf person who is quiet.
In contrast, it’s clear from Whitney Gardner’s writing that she has spent substantial time in the American Deaf community, and has an understanding of ASL. Already on page 18, a character is stomping to get Julia’s attention, and the quote in the header comes from the same page. Gardner’s characters are Deaf, but they aren’t quiet, and she reflects that in a way only possible after learning about Deaf culture.
Some videos and links for Deaf History Month and hearing parents of Deaf children.
Welcome to the celebration of a month not many people know about!
First off, National Deaf History Month is not a month of the calendar year. Instead, it is the month between March 13th and April 15th, which commemorates several important milestones in American Deaf History.
This is separate from the international sign celebrations. In fact, the UN has chosen September 23rd, 2018 to be the first International Day of Sign Languages. Most countries celebrate Deaf Awareness month or International Week of the Deaf in September. In some areas, December is also an important month because of the birthdays of Laurent Clerc and Thomas Hopkins Gallaudet.
“The community’s attitude can be judged also from the fact that until I asked a direct question on the subject, most of my informants had never even considered anything unusual about the manner in which their deaf townsmen were integrated into the society.” p 51
Everyone Here Spoke Sign Language: Hereditary Deafness on Martha’s Vineyard by Nora Ellen Groce, foreward by John W. M. Whiting.
Harvard University Press, Cambridge, Massachusetts, 1985.
Academic nonfiction, 169 pages including notes, bibliography, and index.
This classic work of American Deaf history shines a light on the isolated early community of Martha’s Vineyard, where a high rate of deafness resulted in normalization of sign language and an integration that the world could stand to learn from.
I’ve been wanting to read this book for a long time, so was thrilled to be gifted a copy.