Between a rambunctious good morning to adoptive parents to a good night to everyone, our 39th board book manages to show a wide variety of families.
Good Night Families by Adam Gamble, illustrated by Cooper Kelly.
Good Night Books, 2017.
Board book, 20 pages.
A showcase of a wide variety of families going through their days.
This book is a bit of a mixed bag. First, let’s get some of the negatives out of the way. The font is awful – a dead giveaway that this wasn’t produced by a regular publishing house. There also isn’t a great flow to this book, it’s a series of vignettes that at times feels choppy and awkward.
Our 14th board book is simple but surprisingly delightful.
The Hip Hop Board Book by Martin Ander.
Dokument Press, Arsta, Sweden, 2012.
Board book, 22 pages.
“Rap, Breakdance, Graffiti, & DJ:ing – now for the very youngest! The Hip Hop Board Book is a different, colorful picture book about culture and everyday life with fun and clear pictures for small children. A charming book with lots of humor and attitude.” ~Back Blurb
I wish I remembered finding this board book. It’s not brand-new, but hasn’t gotten much buzz – and it’s from Sweden, although the text is in English. Perhaps Amazon recommended it to me when I was ordering some other hard-to-find board books.
“Today there are at least an estimated 3.5 million Americans of Arabic-speaking descent, and they live in all fifty states. […] The purpose of this book isn’t to separate them out but to fold their experience into the mosaic of American history and deepen our understanding of who we Americans are.” p. xi
A Country Called Amreeka: U.S. History Retold Through Arab-American Lives by Alia Malek.
Free Press, Simon & Schuster, New York, 2009.
Nonfiction, 292 pages.
A walk through American history through the lives of a wide variety of Arab-Americans.
I picked this book up on a whim, but it turned out to be very interesting nonetheless. Mostly, I wanted to know why America was misspelled in the title (Amreeka is the Arabic word for America), and after looking at the blurb, I thought this could be an interesting perspective on American history which I personally had not very much considered before.
Much like Prisoners Without Trial, this book opened my eyes to another important part of American history. Similar to that book, this one also deals with a limited time period, since immigration laws prevented large numbers of Arab immigrants prior to the 1960s. However, Malek tells her story in a very different (although just as engaging) way.
After a brief forward explaining the background, format and scope of the book, she takes snapshots from various Arab-American lives and uses them to illustrate a wide variety of experiences and time periods. In between these vignettes are brief chapters that give immigration statistics, updates on legal and cultural developments, and information about world politics that had bearing on Arab-American lives.
“The curious thing is that the word ‘colorism’ doesn’t even exist. Not officially. […] So how does one begin to unpack a societal ill that doesn’t have a name?” p. 8
Same Family, Different Colors: Confronting Colorism in America’s Diverse Families by Lori L. Tharps.
Beacon Press, Boston, Massachusetts, 2016.
Nonfiction, 203 pages including sources and index.
This is the study of something few non-academics want to talk about – colorism. While everyone can get behind fighting racism, colorism is more insidous, deeply rooted in American racism and refreshed as immigrants arrive with their own cultural ideas of colorism. Tharps combines information from experts with deeply personal stories from families that are biologically related, but have different physical appearances.
A short introduction first tells how Tharps became interested in colorism – she’s African-American, her husband is from the south of Spain and identifies with dark-skinned people, but her three children each appear very different. Tharps then gives some background information on colorism and an overview of the book.
Four chapters focus specifically on different groups. Tharps explains that she chose to work only with biologically related families because she wanted this book to be focused on colorism specifically and adoption adds other dimensions. However she also states adoptive families will find much to relate to here – I agree.
Kisses from Katie: A Story of Relentless Love and Redemption by Katie Davis with Beth Clark.
Howard Books, Simon & Schuster, New York, 2011.
Memoir, 264 pages.
Lexile: not leveled
AR Level: 6.6 (worth 13.0 points) .
This is a story of a young American who moved to Uganda, adopted 13 girls, and started a non-profit, motivated by her belief that Jesus was calling her there.
Kisses for Katie is very religious. I knew from the subtitle and her blog that this book was Christian, but didn’t expect it to be so heavy-handed. I was also confused about the intended audience. Given that literally every page included at least one reference to God, praying, or religion, one would assume this is a specialty book intended for a specifically Christian audience. However, there are repeated points where commonly known Bible stories are summarized as if to someone unfamiliar with Christianity.
While it definitely shouldn’t be shelved in the children’s section, this coming-of-age graphic novel will appeal to YA readers.
Emiko Superstar by Mariko Tamaki, illustrated by Steve Rolston.
Minx, DC comics, New York, 2008.
Graphic novel, 150 pages.
This is the story of one summer in the life of Emiko, a summer that changed her life. It starts out like a normal summer. A coffee shop job doesn’t last, so her mom signs her up for babysitting work. She meets a girl named Poppy and finds herself strangely drawn to Poppy’s mesmerizing, frenetic, artistic life.
There is a lot going on in this graphic novel.
I want to caution readers that this is definitely for teens. We found it at the used bookstore in the kids section, and I assumed that it would be okay for N based on other Minx books I’ve read, which were fine for middle grade readers. Nope!
This is a great book, but the content is intense, and middle schoolers should be discussing it with a parent or teacher. Mariko Tamaki is better known for Skim, an intense YA graphic novel.
The dramatic opening is a little confusing. An edgy, artistic girl with one shoe is coming home late at night. She’s texting her friend and narrates as the images go from her to old photographs. Chapter two backtracks to early summer.