“When Steve grasped the painting, it tingled against his fingertips. He felt as if he had rubbed his shoes fast over a carpet.” p. 19
The Magic Paintbrush by Laurence Yep, illustrated by Suling Wang.
HarperTrophy, HarperCollins, New York, 2000.
Historical fantasy, 90 pages.
Lexile: 530L .
AR Level: 3.8 (worth 2.0 points) .
Eight-year-old Steve’s parents and all of his belongings are gone after a tragic fire, and now he shares a single room in Chinatown with his grandfather and Uncle Fong (no relation but a childhood friend of Grandfather’s). They are so poor that after his paintbrush split in art class, he’s afraid to go home and tell his Grandfather, knowing that a new one is not possible.
For a book with magic in the title, this book takes a while to get to the fantasy part. The first chapters are all about establishing the setting – early 1960s San Francisco – and characters. The tale of a magic paintbrush given to a poor boy who uses it to spread happiness is a Chinese story that has been retold many times, mostly in picture books. Yep has a unique historical Chinese-American spin to his version though.
“When I had my own restaurant someday, I thought, I would never rule out someone based on race or sex or nationality. I wouldn’t do it because it was egalitarian, I’d do it because cutting people out meant cutting off talent and opportunity, people who could bring more to the table than I could ever imagine.” page 160
Yes, Chef: a memoir by Marcus Samuelsson.
Random House, New York, 2012.
Autobiography, 326 pages.
The life story of Marcus Samuelsson, a chef across three continents.
This was a random find that was enchanting. I’ll admit that I was first drawn in by the appealing cover, and then after the generosity of the friend who gave this to me, I had to at least start reading it. What I found between the covers kept me up all night until the book was finished.
“It felt like the world was spinning and I was hanging on, hoping I wouldn’t get thrown off and fall into darkness.” page 155
Hoodoo by Ronald L. Smith.
Clarion books, Houghton Mifflin Harcourt, New York, 2015.
MG historical fantasy/horror, 214 pages.
Lexile: 600L .
AR Level: 4.2 (worth 6.0 points) .
In small-town 1930s Alabama, Hoodoo Hatcher is an unmagical twelve year old born into a folk magic family. It’s embarrassing enough to not be able to do a simple spell when your name is Hoodoo, but it could be downright dangerous when the Stranger comes to town looking for a boy with that name.
Hoodoo is an incredibly unique book. Which makes it memorable and interesting, but also a bit challenging to discuss. How do you classify it? Hoodoo is decidedly set in the past, and some elements are very evocative of the time and place. But it’s also definitely a magical book. The magical elements are not simply magical realism – spells have effects (although not flashy ones) and the existence and efficacy of hoodoo are generally accepted in the town.
There are many creepy aspects. Astral projection occurs a few times, and messages and items are sent from beyond the grave. Lives are in danger, people are possessed, cemeteries are dug up. I find it challenging to classify MG horror since it’s so much less scary, but my sense is that this would mainly fall into horror, with aspects of historical and fantastical fiction that make it a good entry point for readers of those genres.
Twelve-year old Lanesha is different from her peers in one major way: she can see ghosts. And several minor ways: she was raised by Mama Ya-Ya, the midwife who birthed her, but without the formality of kinship or an official foster care relationship. She loves to learn, tackling difficult math problems and learning new words with glee.
The book covers nine days directly before and during the events of Hurricane Katrina over 14 chapters. Within the chapters the text is further broken into sections, and the sentences tend to be short. Although Parker Rhodes doesn’t shy away from challenging words, they are decipherable with context clues if not defined in the text. These explain why this has a low reading level, but it’s not meant for very young readers. Children closer to Lanesha’s age would be a much better fit, because the novel does include deaths, extreme peril, hunger, destruction, and family rejection.
The story starts slowly, establishing Lanesha’s character, neighborhood, and routine before tearing everything apart. It’s a first person novel, and Lanesha is smart, independent, and loving. She’s in an unofficial kinship situation with Mama Ya-Ya since her mother died in childbirth without revealing her father and her mother’s family refuses to accept or acknowledge her.
“The trick was in knowing how to dispose of people when you were through with them, and Gilly had plenty of practice performing that trick.” page 51
The Great Gilly Hopkins by Katherine Paterson.
HarperTrophy, HarperCollins, New York, 1978.
Historical fiction, 178 pages.
Lexile: 800L .
AR Level: 4.6 (worth 5.0 points) .
At eleven years old, Gilly Hopkins already has a reputation for being unmanageable and a talent for moving homes. She has no interest in living with the Trotters and is determined to pull out all the stops to get out of this latest home.
I feel so conflicted about this book. On the one hand it seems to play into every old stereotype about foster care. The majority of Gilly’s homes are careless at best. But let’s start with some of the positives first.
Paterson must have had at least some knowledge of foster care, because there are some things she gets right. The difficulty of transitioning from one home to the next, the reluctance to love a new family, the battles over personal care and confusion over standards are all common. The dedication is to an adoptive child, so perhaps she learned about foster care through first-hand experience.
“Leaving Duinsmoore was one of the hardest decisions I had to make. In a matter of months, in the tiniest fraction of my life, Duinsmoore had given me so much.” page 278
The Lost Boy: A Foster Child’s Search for the Love of a Family by Dave Pelzer.
Health Communications, Inc. Deerfield Beach, Florida, 1997.
Memoir, 340 pages.
Lexile: 720L .
AR Level: 5.1 (worth 9.0 points) .
NOTE: Despite the reading level, this is an adult book, not suggested for MG readers.
Peltzer’s first book is all about the inhumane treatment he suffered at the hands of his mother. The second, after a brief recap of the abuse, focuses on his life in the foster care system.
I believe this was the first book that I ever read about foster care. Many years later, I found some of the series in a thrift store and decided to read through it again. After the sensational story of the first book, this one is significantly milder. Peltzer’s mother still has a lot of power over him – mentally, emotionally, and legally. But her physical control of his body is limited and he starts to heal in some ways.
“The story has two objectives: the first is to inform the reader how a loving, caring parent can change to a cold, abusive monster venting frustrations on a helpless child; the second is the eventual survival and triumph of the human spirit over seemingly insurmountable odds.” page 164
A Child Called “It”: One Child’s Courage to Survive by Dave Pelzer.
Health Communications, Inc. Deerfield Beach, Florida, 1993.
Adult memoir, 184 pages.
Lexile: 850L .
AR Level: 5.8 (worth 5.0 points) .
NOTE: Despite the reading level, these are books written for adults, not MG readers.
The early childhood of a severely abused boy.
This is the first, and most well-known, book in an autobiographical trilogy. Dave Pelzer was one of the most severely abused children in California. His father kept his mother from murdering him, but otherwise he was routinely tortured, starved, beaten, and otherwise maltreated.
The entire book should probably not be read by anyone who might find these events triggering. His parents also rely heavily on alcohol and his mother occasionally turns her rage from him to his father or others. It’s interesting that few reviews remark on this being an example of domestic abuse from a woman to a man. Male perpetrators are certainly more common, but it’s important to recognize that women can be abusers as well and to validate and hold a mirror up for male victims of abuse.
While the book is intense, it’s not overly emotional (although it can feel overwrought at times). Pelzer narrates with a steady, precise flow, documenting what it felt like for him to be a child in the total control of a sociopathic parent. I remember crying and crying on my first read through. However, after hearing or reading the stories of other children, this book is not so affecting on the second readthrough.