Some thoughts on a slightly controversial children’s book.
Giving Thanks: The 1621 Harvest Feast by Kate Waters, photographs by Russ Kendall, in cooperation with the Plimoth Plantation.
Scholastic, New York, 2001.
Picture book, 40 pages.
Lexile: 620L .
AR Level: 3.9 (worth 0.5) .
NOTE: There is another book by the same title but subtitled “A Native American Good Morning Message.”
A 1621 harvest feast as seen through the eyes of two boys, reenacted at Plimoth Plantation.
I feel it’s important to note that this book is on the former Oyate’s List of Thanksgiving Books to Avoid. That’s part of why I checked it out from the library instead of buying. However, I couldn’t find any in-depth reviews, so I decided to look through it myself to see how suitable, if at all, this would be for teaching about the holiday.
Because this is one of the Oyate Books to Avoid, the format of this review will look rather different than most. I decided to use the 11 Myths about Thanksgiving template to consider this book. My overall thoughts will follow. Continue reading “Review: Giving Thanks 1621”
“Kids may need years of consistent, loving care before they begin to trust, and they may resist trusting even in the face of much love and care from new parents.” page 107
Forever Mom: What to Expect When You’re Adopting by Mary Ostyn.
Nelson Books, Thomas Nelson, Nashville, Tennessee, 2014.
Nonfiction, 241 pages.
Mary Ostyn shares her experiences as a mother of ten, six adopted, children.
I’m always interested in reading books about adoption and foster care. Initially when I got this, I thought it would have more about fostering or domestic adoption. While Ostyn did go through the initial process of domestic adoption, in the end all of their six adopted children were foreign adoptions.
This is part memoir and part advice book. Ostyn writes from a Christian background so there are scripture quotations and references to Jesus and prayer. I didn’t realize before reading this book that like many international adoptive parents, she feels particularly called by Jesus to adopt the children who ended up in her home.
“Nursing homes have come a long way from the firetrap warehouses of neglect they used to be. But it seems we’ve succumbed to a belief that, once you lose your physical independence, a life of worth and freedom is simply not possible.” p. 75
Being Mortal: Medicine and What Matters in the End by Atul Gawande.
Metropolitan Books, Henry Holt & Co, New York, 2014.
Nonfiction, 282 pages.
Because his parents both immigrated to America from India, Gawande didn’t have much first-hand experience with aging or mortality – the elderly members of his family were a continent away, being cared for by others. He certainly didn’t learn much about it from his medical school classes. Then he came face-to-face with the reality of American aging through his grandmother-in-law and patients, and decided to raise some questions about end of life-care and the meaning of life, and death.
Gawande has an interesting perspective on mortality and his second-generation-immigrant perspective gave him an insight into other methods of dealing with age that helped him turn a critical eye on how we deal with it here in America. This book reminded me of Another Day in the Death of America in that way – it takes a subject that most Americans wouldn’t even think twice about, and presents it to everyday readers.
“Even here things are pretty divided. Except that the breakdown is different. The aunties hang out with the aunties and the uncles hand out with the uncles.” page 53
Tina’s Mouth: An Existential Comic Diary by Keshni Kashyap, illustrated by Mari Araki.
Houghton Mifflin Harcourt, New York, 2011.
Illuminated realistic fiction, 247 pages.
Lexile: not leveled
AR Level: 4.7 (worth 3.0 points) .
NOTE: This is a YA book, not intended for younger children.
Tina Malhotra is the youngest in a family of five and a sophomore at the mostly white Yarborough Academy. She’s taking an Honors English elective course in existential philosophy, and has taken on an assignment to write letters to Jean-Paul Satre about the process of discovering who she is and who she is becoming.
The format of this book was different to any I’ve read before. I hesitate to call it a graphic novel (although the dust jacket does so) because large portions of the story were carried through text only. Neither was it an illuminated work because whole pages at a time would be done in a comic style relying on both text and illustrations.
“You definitely feel conflicted when you stand out in a group, and you’re
going through different experiences. You feel a little bit discouraged. But
if you already stand out, you might as well shine. ” Maly, p. 74
This book gives encouragement and advice to students who may be the first in their families to attend college. It includes many personal stories and quotations from students who have similar journeys.
This short book is aimed at encouraging teens from minority groups (or who are economically disadvantaged) to persevere in college. When no family members or friends have attended college, students can find themselves at yet another disadvantage as they have no guide to help them navigate college classes or culture. This book is here to help, with stories and tips from real students who have made it through part or all of college although they were the first in their families.
“He is an award-winning bound book, / where I am loose and blank pages. / And since he came first, it’s his fault. / And I’m sticking to that.” p. 99
The Poet X: A Novel by Elizabeth Acevedo.
HarperTeen, HarperCollins, New York, 2018.
Novel in verse, 378 pages.
Lexile: HL800L ( What does HL mean in Lexile? )
AR Level: not yet leveled
Dominican-American teen Xiomara Batisa is one half of a pair of miraculous twins – their birth to older parents caused her philandering father to change his ways and reaffirmed their mother’s devotion to her Catholic faith. Her genius brother Xavier skipped a grade and is living up to their miracle status, while she defends his comic book collection and feels inadequate.
Target seems to be shelving more and more diverse novels that I’m interested in reading. There’s been some buzz about this one, but I didn’t know many details. I think because of the title, I assumed it had to do with Malcolm X and just wasn’t interested. But that’s not what this book is about at all. This book is about poetry and love and family and the power of being who you really are.
But let me back up a bit. There is a love story in this, but don’t get turned off by the heavy romance early on, because this is not a love story. Rather, this is about Xiomara’s sophomore year of high school, and how she learned to be more confident in herself, and how her family relationships completely changed.
“In the kitchen, the rice cookers set on timers were already steaming, filling the kitchen with the smell of rice. My mouth watered.” p. 53
Jasmine Toguchi, Mochi Queen (Jasmine Toguchi #1) by Debbi Michiko Florence, illustrated by Elizabet Vukovic.
Farrar Straus Giroux, Macmillian, New York, 2017.
Elementary fiction, 115 pages.
Lexile: 560L .
AR Level: 3.6 (worth 1.0 points) .
Jasmine and her Japanese-American family are getting ready for the New Year. That means lots of cousins, mochi-tsuki, Obaachan coming to visit, and two more years before Jasmine is old enough to make mochi with the women. Rather than wait two whole years, she has an idea…
In the last few years we’ve been seeing a big rise in the number of early elementary chapter book series featuring diverse characters, and I am over the moon about it. As you’ve heard me rant before, it’s crucial to have diverse books at every reading level, including the very earliest. Working a little understanding of different cultures, cuisines, and lifestyles into early fiction also helps students out when they later encounter the same topics in middle school or high school, and it sets a foundation for tolerance and acceptance.
Series like this one are particularly great because they can be read aloud to children over a range of ages, and information about Japanese-American culture is seamlessly woven into the storyline.