“Open wide your arms to life, / Whirl in the wind of pain and strife, / Face the wall with the dark closed gate, / Beat with bare, brown fists – / And wait.” page 29 (excerpt from poem “Song”)
The Dream Keeper and Other Poems by Langston Hughes, illustrated by Brian Pinkney. Originally published in 1932 by Alfred A. Knopf, my edition Scholastic, New York, 1994. Poetry collection, 84 pages. Lexile: 1150L . AR Level: Not leveled.
Langston Hughes’ own selection and arrangement of his poems for young readers.
The Dream Keeper and Other Poems by Langston Hughes, illustrated by Brian Pinkney.
It’s books like this one that especially point out the lie that early literary education is not able to be diverse. Although my particular version was published in the early 90s, this book has been around since 1932!
The book opens with an introductory essay by Lee Bennett Hopkins, which succinctly summarizes the key points of Hughes’ life. It is skippable, but does add valuable context for those who choose to read it.
A Fire in My Hands: A Book of Poems by Gary Soto, illustrated by James M. Cardillo. Scholastic, New York, 1990. Poetry, 64 pages. Lexile: NP . (What does NP mean in Lexile?) AR Level: 5.4 (worth 1.0 points) . NOTE: See review for age appropriateness.
A collection of Gary Soto’s poems about growing up Mexican-American in the San Joaquin valley.
A Fire in My Hands: A Book of Poems by Gary Soto, illustrated by James M. Cardillo.
This was languishing in a little free library we frequent, untouched for far too long. I will probably release it back into a different free book environment if none of the kids I know want it.
With only 23 poems this is a slim volume. I thought at first that all or most were written for this book, but they are reprinted from other books or magazines. The majority come from his collection Black Hair, but some are from other sources.
The book also includes a forward, Q&A, and a few lines introducing each individual poem. That helps give context to the poems, adds more of a narrative flow to the book, and also helps make it a bit more substantial. It makes the collection more useful for teachers too.
“Ch’idzigyaak sat quietly as if trying to make up her confused mind. A small feeling of hope sparked in the blackness of her being as she listened to her friend’s strong words.” page 15
Two Old Women: An Alaska Legend of Betrayal, Courage and Survival by Velma Wallis, illustrated by James Grant. Originally published Epicenter Press 1993, my edition HarperCollins, New York, 2013. Adult folklore retelling, 134 pages. Lexile: 1030L . AR Level: 6.4 (worth 3.0 points) .
Two elderly women known mainly for complaining are left behind when their people move on in a time of starvation and hardship. If they are to survive in the Arctic, it will take all of their knowledge, strength and determination, plus reserves, or luck, they might not even know they have.
Two Old Women by Velma Wallis.
I took a chance on this one at a used book sale that absolutely paid off. Browsing time was short, and the story looked interesting, but the blurb simply stated that Wallis was “raised with traditional Athabascan values.” This is burying the lede that Wallis is herself Athabascan and thus particularly well suited to write this Gwich’in tale.
I was delighted to see that illustrator Jim Grant is also an Athabaskan native. Most chapters have one or two illustrations (one has none and another has three), and there are also some maps and the chapter ornament. One illustration is full-page, the rest are half-page or less. There are also two frontispieces which depict similar scenes to those found later, but are not the same as those within the chapters. All of the pictures are inserted where they make sense, and have some relevance to the narrative.
Pages 48 and 49 of Two Old Women show one of the full page illustrations, and an example of the text format.
We get a hint of Wallis’ approach to this story when, after the title page, she steps into the dedication – no apologies for those left out, no fluff about how important each person is, simply several pages of names preceded by
This book is dedicated to all of the elders who I have known and who have made an impression in my mind with their wisdom, knowledge and uniqueness.
page ix
Having thanked the elders first, Wallis then steps into a brief, more traditional acknowledgements page which ends with a thank you (Mahsi Choo) to her readers. Only then does she turn to the Introduction about how she first heard this story, her choice to adapt it, and the setting.
“This is not just a book for Black people. It’s a book for *all people* about Black people.” Front matter, emphasis from the author
Black Hollywood: Reimagining Iconic Movie Moments by Carell Augustus. Ebony Magazine Publishing with Sourcebooks, Naperville, Illinois, 2022. Art book, 230 pages. Not leveled.
Photographs from an eleven year project to recreate iconic movie posters, screen moments, and pinups with Black models.
Black Hollywood: Reimagining Iconic Movie Moments by Carell Augustus.
Over the last few years I’ve been trying to expand our art collection. We’ve reached the “some disposable income” stage but definitely not the “buy independent artworks” level of wealth. Libraries, digital collections, and museums have been wonderful but I’d like to have more at home. Thus calendars, postcards, and art books!
Because art books tend to be pricey, I usually research and apply coupons, wait for seasonal sales, or buy used. This one was more of an impulse purchase – saw a new copy at 50% discount and bought it without the previewing that I normally would have done.
You know how some kids are really into sneakers, or horses, or rap, or drawing? I was a book kid and always have been, so movies, television, and such tend to be what other people around me want to watch, rather than something I seek out. Honestly, I’d probably only heard of maybe half the movies or people in this book. But I still loved it.
Pages 20 and 21 of Black Hollywood include a scene from Fight Club with all the characters modeled by Wesley Jonathan and notes from both the model and photographer.
Augustus recreates a wide variety of films including comedies, science fiction, horror, and action movies, as well as some portrayals of specific people (like Marilyn Monroe and Charlie Chaplin). The majority, although not all, of his models are actors and actresses.
“They got only this one egg a year even though the children’s mother tended chickens and ducks that produced seven or eight eggs a day right there in the front courtyard. But the eggs weren’t for the family. They were a small business that Gao Xiuying ran to earn a little bit of extra money.” page 49
A Girl Named Faithful Plum: The True Story of a Dancer from China and How She Achieved Her Dream by Richard Bernstein. Originally Alfred A. Knopf, Random House, New York, 2011. My edition Yearling, Random House Children’s Books, New York, 2012. Middle grade (YA?) nonfiction, 272 pages. Lexile: 1080L . AR Level: 6.6 (worth 11.0 points) .
In 1978, an eleven year old girl traveled from her small town on the northern border of China to the Beijing Dance Academy for their open auditions, along with sixty thousand other applicants. Against all odds, she managed to be one of the twelve girls chosen – but that was just the start of her troubles.
A Girl Named Faithful Plum: The True Story of a Dancer from China and How She Achieved Her Dream by Richard Bernstein.
Zhongmei spent years in training, and had a long career, but this story focuses mainly on preparing to audition and her first year at school. About half the book focuses on her journey to even make it to auditions and then her progress through the seven layers of audition. The second half covers her first year at the school, and finally an epilogue tells what happened to her after.
Bernstein employs a number of timeline skips to maintain the pacing, although he’s not always successful. His most frequent device is the letters sent back and forth between Zhongmei and her beloved da-jie Zhongqin. He also occasionally has Zhongmei think back on past events. At some points there are skips forward, when reasonable within the story.
“Each time the doctor asked me to move a part of my body and I could not move it, my terror increased.” page 10
Small Steps: The Year I Got Polio by Peg Kehret. Albert Whitman & Company, Chicago, IL, 1996. Middle grade nonfiction/memoir, 168 pages + preview. Lexile: 830L . AR Level: 5.2 (worth 4.0 points) . NOTE: This review is of the nonfiction polio narrative, not the fictional Louis Sachar Holes sequel.
Seven months in 12 year old Peg’s life, starting in September 1949 shortly before she became ill, and continuing with her illness and survival for the rest of that school year.
Small Steps: The Year I Got Polio by Peg Kehret.
When COVID hit, I went through a phase of reading children’s books about other epidemics. Books for young readers have the happy endings that adult authors rarely do, and there was something comforting about knowing others had survived the spread of contagious diseases.
Everyone in this story is either described or presumed white, but many characters, including the author/narrator, experience physical disability as a from the polio epidemic. I also wanted to write about this book because it was one of the best family read-alouds we did during quarantine, and ought to be better known.
“For me the worst part, especially about young kids being racially profiled in school, is that they can’t be expected to understand that what’s happening to them is not their fault.” page 49
My Seven Black Fathers: A Young Activist’s Memoir of Race, Family, and the Mentors Who Made Him Whole by Will Jawando. Farrar, Straus, and Giroux, New York, 2022. Memoir/autobiography, 232 pages. Not yet leveled.
The story of one man’s early life through the lens of seven essential mentors.
My Seven Black Fathers by Will Jawando.
Jawando begins by comparing his own life to a childhood friend, Kalfani, who didn’t have the same kind of mentoring available to him. Indeed, this is Jawando’s central theme throughout – the importance of community.
I’m not sure what my expectations were – perhaps something like Misty Copeland’s personal reflections on a variety of related figures. My Seven Black Fathers reads more like a hybrid biography/memoir. Jawando tells the story of his life in roughly chronological format, only occasionally needing to use the subject emphasis and timeline jumps characteristic of memoir.
“Writing a novel is a long process – like a long-distance runner running a marathon, I know I cannot reach the finish line that day. Instead, I have to be patient, trying to complete a shorter stretch of writing – a chapter, for instance.” pages 21 and 22
The Lost Garden by Laurence Yep. My edition Beech Tree Paperback, Harper Collins, New York, 1996 – originally Simon & Schuster, 1991. MG autobiography, 118 pages. Lexile: 1110L . AR Level: 7.1 (worth 7.0 points) .
The story of famous children’s author Laurence Yep’s life from his early years to the start of his writing career, although focusing mostly on his coming of age in the 1950s and 1960s.
The slim paperback fooled me into thinking that this would be a book for elementary students, but the content is more appropriate for tweens and young teens. Yep doesn’t shy away from difficult topics, such as his own family’s brushes with poverty, a customer whose husband brutally attacked her, Mark Twain’s suicidal thoughts, the topless dancers at a club in the neighborhood, and pulse-pounding confrontations when the burglar alarm goes off.
He tells even difficult and painful tales in a straightforward way, and frequently pauses to explain details that might not be known or understood by younger readers. This reminded me strongly of Roald Dahl’s Boy – a tale of a fairly ordinary life told with vivid details that render it fascinating. Aspects such as what it was like to have severe asthma attacks before common home treatments may shock young readers.
There are so many tidbits here about how he was inspired or helped with various novels by different relatives or events. I’m planning a systematic rereading of his entire Golden Mountain Chronicles series, many of which I’ve read but not in order – after which I might need to reread this book!
“Our leader had taken advantage of our trust and loyalty to manipulate the whole country. This is the most frightening lesson of the Cultural Revolution: Without a sound legal system, a small group or even a single person can take control of an entire country. This is as true now as it was then.” page 266
Red Scarf Girl: A Memoir of the Cultural Revolution by Ji Li Jiang. Scholastic, New York, originally published 1997, my edition 1999. MG nonfiction, 284 pages. Lexile: 780L . AR Level: 5.0 (worth 8.0 points) .
A girl becoming a young adult during the Cultural Revolution adores Mao but is troubled by the practical realities of the drastic changes, especially when they start to impact her own family. She has to decide how to navigate high-stakes and nuanced situations – and ultimately whether her loyalty lies with the Communist Party or with her own family.
Red Scarf Girl by Ji Li Jiang.
I was excited to pick this back up – much like The Arrow Over the Door, The Watsons Go to Birmingham, or many of Laurence Yep’s earlier works, I haven’t read through it in at least a decade. With some others, I misremembered major elements, so for this one I tried to recall what had stuck with me for over a decade.
It’s about one preteen/teen girl’s life in China between 1966 and 1968 as major changes occur to her family and community. But I must admit the most memorable aspect was the cover with her disembodied head over the flag, so encountering a used copy with that same 1990s cover was nostalgic. Newer versions have a cover more likely to be picked up by modern students.
“Tonight’s stranger had worn a suit like that, one of plain, darkest jet, but also unmistakably a uniform, along with smoked-glass spectacles. The sandy tone of his skin had been not quite the same as the tan burnish all sailors got from the sun. There had been something slightly off, slightly unnatural, about the way he’d moved.” page 41
The Left-Handed Fate by Kate Milford, illustrated by Eliza Wheeler. Square Fish, Henry Holt and Company, Macmillan, New York, 2016, my edition 2017. MG alternate world historical fantasy, 378 pages. Lexile: 810L . AR Level: 5.8 (worth 16.0 points) . NOTE: This book is a direct sequel to Bluecrowne and the review will necessarily contain spoilers for that plot.
Finally back to her ship even if unfortunate circumstances brought them there, Melusine Bluecrowne (call her Lucy, please) and family are on a particular mission of discovery for a young philosopher, but studying science in the midst of war is dangerous. Teen Maxwell Ault is that natural philosopher, determined to carry out his deceased father’s mission. Oliver Dexter is a new midshipman determined to prove his mettle on his first command… even though he’s only just turned twelve. As their three paths cross, well they be able to assemble the war-stopping engine? And if so, who will gain control of this dangerous weapon?
The Left-Handed Fate by Kate Milford, illustrated by Eliza Wheeler.
Well, we’re four books deep into the world of Greenglass house as far as blog reviews, and while the series as a whole continues to be more diverse-adjacent than diverse (with the exception of the twobooks on Milo), I’m sort of committed to reading them now and also happen to love interconnected novels that aren’t necessarily a series, so I suppose I’ll go on reviewing them.
I wrote a bit in my review of Bluecrowne about how I accidentally purchased and read this book first, not understanding that it is indeed a direct sequel to that book. The publisher has done their bit to confuse readers by trying to promote Bluecrowne as the third book in the Greenglass House series (when really it’s more of a prequel and stands separately from the Greenglass books), and then initially promoting Thief Knot as a standalone (when really it’s quite dependent on knowledge, characters, and such from the two Greenglass books and reads like a continuation of that series with a different protagonist and slightly different setting).
Returning to this particular volume, The Left-Handed Fate takes a different tack to any of the other books I’ve read so far. First, while they do make landfall at times, the majority of the book takes place on the boat where Lucy’s made her home most of her life. Second, it’s rather more historical than any of the other books. Bluecrowne also was set in the past, and Milo’s books delve into Nagaspeake’s history, but this book is set around the War of 1812, which is an actual historical event that gives the story a somewhat different feel.
Colorful Book Reviews 