“Hector took the curve, tilting his body to the same side, and twisted his wrist back, accelerating. The engine hummed, and they passed between the idling buses, making obscene gestures to the drivers waiting to be dispatched to their routes.” page 93
The Immortal Boy by Francisco Montana Ibanez, translated by David Bowles. Levine Querido, New York, 2021. Billingual fiction, 154 pages English, 154 pages Spanish. Not yet leveled.
Two stories in Bogota, Colombia: five siblings try to stay together in their father’s absence, and a girl left in an orphanage follows a child called The Immortal Boy.
After rejecting the overwhelming stereotypes of Villoro’s The Wild Book, I was still searching for a Latine youth fantasy novel in translation. I respect David Bowles and had seen this mentioned without a clear age range, so hoped it would work for my diverse MG fantasy booklists.
Alas, it would be a stretch to consider this MG, although it may be suitable for individual readers. The Immortal Boy is disturbing and morbid… but still good? A difficult book to put down and also an emotionally challenging read. The story is one of nearly unrelenting misery, yet paradoxically beautifully written.
“He nocked an arrow. Their armor looked good, but there were gaps he could aim at. Except he’d never shot at a man before. He wasn’t sure he could.” page 197
Dream Magic (Shadow Magic #2) by Joshua Khan, illustrated by Ben Hibon. Disney Hyperion, New York, 2017, my edition 2018. MG fantasy, 340 pages. Lexile: 580L . AR Level: 4.5 (worth 12.0 points) . NOTE: This review will contain spoilers for the previous book. FURTHER NOTE: Pictures on this review are part of the pink posts.
Lily and Thorn are back in the gloomy sequel, with added trolls and spiders and sinister intent!
While we were teased a lot about Lily doing forbidden magic, it didn’t really have any consequences in the first book – she was easily able to pretend it wasn’t her and the focus was more on the murders and political intrigue. This time around, there’s still plenty of court politics (now with actual courting, since Lily’s assumed to be available again) and a few murders (which sort of have the edge taken off by Lily’s ability to revive the dead). But Lily is also properly studying magic, and Thorn is doing more regular squire work, and the social mores and consequences of their situations start to catch up with them.
“With no promise of a pension, Harriet and her friends began the planning of her memoir, a narrative that would be printed and sold with the hopes of finding a large readership that could generate significant income.” p. 116
She Came to Slay: The Life and Times of Harriet Tubman by Erica Armstrong Dunbar, illustrated by Monica Ahanonu.
37Ink, Simon & Schuster, New York, 2019.
Nonfiction, 162 pages.
Not yet leveled.
A unique biography of the FULL life of Harriet Tubman.
I ordered this sight unseen because we had the ability to buy a certain amount of books and there wasn’t time to do a deep dive into each one before the gift card and sale expired. So literally my only knowledge about this was 1) the cover and blurb, and 2) that Dunbar had written Never Caught, which I’d heard good things about but had yet to read.
Honestly I didn’t even know what age level it was for. Never Caught is available in both adult and YRE versions. I’m still not sure what age this was intended for, but it could work from middle school all the way up to adult readers. Dunbar doesn’t avoid the difficult parts of Harriet Tubman’s life, but she doesn’t dwell on them either. Remember that Minty was beaten, permanently injured, cheated on, and witnessed extreme systemic racism from Northern “allies”, among other things. For younger or family use, I’d suggest pre-reading it first to see if it would fit your particular classroom or personal situation. Continue reading “Review: She Came to Slay”
“Yolanda squeezed Rosalind Franklin to her chest and nuzzled her nose in the dog’s fur. She was not going to get rid of her dog, and she and Sonja were not going to foster care. There was no way she was going to let any of that happen.” page 59
Into the Tall, Tall Grass by Loriel Ryon. Margaret K. McElderry Books, Simon & Schuster Children’s, New York, 2020. MG fantasy, 330 pages. Lexile: 660L . AR Level: not yet leveled.
All the women in Yolanda’s family have some sort of magical gift, including her twin sister, but not her. Her father is away in the military, she’s become estranged from her best friend and her twin, her grandfather has died, and her ailing grandmother asks Yolanda to take her to the only pecan tree left standing on their property after the grass starts growing taller and taller…
Occasionally I run into a book that seems to be severely underhyped. Sometimes, like with The Secret of the Blue Glass, I can look objectively at the book and see why it might have trouble finding an audience or why it might not appeal to everyone even if I personally loved it. Others I can’t understand why it hasn’t been popular! My only thinking for this one is 2020, or perhaps that some readers disliked the lesbian aspect which is not immediately apparent.
I’ve written about “diverse-adjacent” books before; this one is more stealth diverse. The cover is gorgeous and represents the characters well, but even reading the synopsis, other than the names Yolanda Rodriguez-O’Connell and Wela, nothing that stands out as Latina, and particularly not LGBTQ.
“Linus Baker, for what it was worth, did care about the children he was tasked with observing. He didn’t think one could do what he did and lack empathy, though he couldn’t understand how someone like Ms. Jenkins had ever been a caseworker…” page 88
The House in the Cerulean Sea by TJ Klune. Tom Doherty Associates, Tor, Macmillian, New York, 2020. YA/adult fantasy novel, 398 pages. Not leveled.
Although not cruel or careless like many of his coworkers, Linus Baker is an uninspiring caseworker who’s given his life to the minute rules of the bureaucracy of the Department in Charge of Magical Youth, down to the point of purchasing for personal reading (and occasionally quoting from memory) the official Rules and Regulations. So when an unusual and extremely delicate situation arises, he’s the only real choice. But what Linus finds at the island orphanage is so much more than he expected…
I’ve been excited to read this one because a book about a 40 year old civil servant monotonously documenting magically gifted youth and slowly coming alive to the true meaning of his work and life is exactly the sort of thing I would have loved at the target age (and still do today).
This book has an interesting dual nature of being both an engaging fantasy novel with several mysteries to unfold, and a very useful teaching tool for the process of learning to see systemic problems that are right in front of your face, so blatant they become invisible. I initially read hoping for a more complex, higher reading level but still MG appropriate diverse book to add for younger kids with high reading levels (like UnLunDun was on my last list). Unfortunately this wasn’t that.
“The Ironmonger was speaking, and his voice was deep and rich and bitter. ‘It took fighting against the States to be able to walk free. Is it so different a place now that I ought to forgive it after so short a time? To say nothing of binding myself to it.’ ” page 30
Bluecrowne by Kate Milford, illustrated by Nicole Wong. Houghton Mifflin Harcourt, New York, 2018. MG/YA fantasy adventure, 262 pages + excerpt. Lexile: 840L . AR Level: 5.9 (worth 10.0 points) .
Melusine Bluecrowne, or Lucy for short, is going to be grounded. As much as she loves her half-brother and stepmother, she’s always imagined a life on board her father’s privateer (aka letter-of-marque), not living ashore, no matter how grand their new home appears.
Sutler Foulk Trigemine is in 1810 Nagspeake to see about several matters of business for his boss Morvengarde, one of which is the collection of a specially gifted conflagrationist. Meanwhile young Liao Bluecrowne is fascinated by fire and can create fireworks like nobody’s ever seen…
I debated reviewing this. Full disclosure – it’s not really diverse. The author is white and so are both of the main characters, and while there are important secondary characters of color, Milford’s AU world is, at least at this time and place, mostly white. Greenglass House has the same conditions except the main character is an Asian domestic transracial adoptee, which put that book firmly within the scope of this blog. This book is more diverse-adjacent, which is okay but I just wanted my readers to be forewarned.
“A culture defines its virtues and vices within its folktales.” page 69
The Rainbow People by Laurence Yep, illustrated by David Wiesner. HarperTrophy, HarperCollins, New York, 1989. (See review.) Short story/folklore collection, 194 pages. Lexile: 680L . AR Level: 4.8 (worth 6.0 points) .
Twenty stories drawn from the most common area of Chinese-American immigration, streamlined and retold for younger audiences.
So I’m pretty sure my copy is a knock-off. The cover is the 1992 version, although on close examination it’s subtly off, but the interior copyright page is taken from one of the early 1989 printings. The margins aren’t set correctly and vary too much, and while harder to quantify, the paper and bindings don’t feel right compared to other books from this time period from this publisher that I’ve handled.
I purchased this book online, ostensibly new. After investigation, I don’t believe that the seller of this was aware then that it might be a printing violating copyright, so I won’t mention them specifically. Normally I would get a copy from the library to check if this version is accurate, but in Covid times, that is easier said than done. Perhaps some kind person who has access to a proper version of this book will comment if my citations are correct. I decided to still write this review because I’ve been wanting to talk about Laurence Yep and this book is particularly interesting.
Turning now to this specific volume, it’s a unique work. While I’ve seen many volumes of, or including, Chinese folklore, this book by Yep is the first I’ve seen that suggests a uniquely Chinese-American variety of tall tales. He points out that since the majority of early Chinese immigrants to America came from a specific province, the stories of that region have greater significance than more general Chinese or Asian proverbs.
“The castle was darkness made solid. No natural light had entered it since the day Prince Shadow, the original lord of darkness, had built it.” page 133
Shadow Magic by Joshua Khan, illustrated by Ben Hibon. Disney Hyperion, New York, 2016. MG fantasy, 324 pages. Lexile: 540L . AR Level: 4.1 (worth 11.4 points) . NOTE: First in a trilogy.
Thorn was just trying to find his outlaw father when he got caught by slavers and was sold to executioner Tyburn of House Shadow. Lilith Shadow was never supposed to rule Gehenna, but then her family was killed.
I picked this one up because of this review. Initially this series didn’t strike me as particularly diverse from reading the blurb, but the author’s commentary on the Middle Eastern inspiration as well as an #ownvoice Muslim reviewer’s thoughts quickly confirmed that this was a trilogy I wanted to read.
“Of course the dragon would try to distract him if it really was guilty. But Violet wouldn’t let it. He was a professional, specialised in dragon crimes. This dragon’s crimes.” page 15
The Dragon of Ynys by Minerva Cerridwen. Atthis Arts, Detroit, Michigan, my edition 2020, originally published 2018. All ages fantasy, 132 pages including back matter. Not leveled.
Sir Violet’s duties as knight have fallen into a familiar pattern – he goes to the dragon’s cave, and after some banter a missing item is returned. Until instead of his morning cinnamon roll, he finds the baker’s wife distraught – Juniper is missing! This sends Sir Violet on a quest for not only the missing baker, but a few other things he didn’t know he was missing.
I bought this book entirely because of a post; I didn’t realize the age level until it crossed my feed. Not that this is only for kids, it’s especially written as All Ages – a rare find!
Much like the dragon, I’m a collector, only my hoard is books. I like the collection to fit together in various pleasing ways and am always looking for new releases that fit categories seldom seen in diverse MG fantasy. Three areas have been elusive -stories set in South America or Australia, LGBTQ+ representation, and indigenous stories. We are finally seeing movement on the latter two, so I have high hopes for more English-language South American MG fantasy in the next five years.
I was initially disappointed at the length. The main story is only 118 pages with generous spacing. MG fantasy novels (which this isn’t, but is the comparative genre I’ve been most heavily immersed in lately) tend to run longer, so on my first reading this was at the back of my mind… until the fairly detailed back matter. Knowing that the $13 list price goes towards fair payment for editors, sensitivity readers, and others made me much happier about the price versus length.
Although the book is smaller, it’s well formatted. The cover, while not especially exciting, conveys the gist and is nicely laid out. Simple works better than wrong! As someone who personally and professionally handles dozens to hundreds of books daily, I can tell it’s not from a mainstream publisher – but nowadays well made titles aren’t obviously POD to most casual readers.
“Every day you should fill this glass with milk and put it on the windowsill for them. You mustn’t forget now. The Little People cannot live unless humans do this for them.” page 15
The Secret of the Blue Glass by Tomiko Inui, translated by Ginny Tapley Takemori. Pushkin Children’s Books, London, UK, 2015. Historical fantasy, 188 pages. Not leveled. NOTE: Reviewing the 2015 translation of a 1959 Japanese novel.
Although the little people first came to Japan in the 1890s, this unique story covers the time from 1913 until World War II when they were in the care of the Moriyama family.
I finished my first read-through thinking I must review this, and immediately after wondered how I was possibly going to review it. How does one review a book they personally loved, but know won’t work for everyone?
When reviewing books for this blog, I do my best to consider the book through multiple lenses. I adored this book and sincerely hope more of this Inui’s books are translated. But… I can also see why other people might not adore it.