“Each family is different; it may be large or small. / We may look like each other – or not alike at all.” p. 21
We Are Family by Patricia Hegarty, illustrated by Ryan Wheatcroft.
Tiger Tales, Caterpillar Books Ltd., Wilton, CT, 2017.
Picture book, 22 pages.
Not yet leveled.
A sweet vintage-style picture book depicting similar moments in the lives of ten very different families.
This British book is a bit off the beaten path. I think I was looking for family books that were inclusive of foster and adoptive kids, and this certainly fits that mold.
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“Asha paused to flick the sweat from the crook of her elbow. Suddenly she caught sight of a face staring at her through the coconut leaves.” p. 31
Secret Keeper by Mitali Perkins.
Delacorte Press, Random House Children’s Books, New York, 2009.
Historical fiction, 225 pages.
Lexile: 800L .
AR Level: 5.3 (worth 7.0) .
Asha’s father has gone to America to look for a new job, leaving his family in the care of his older brother’s family. Already saddened by the move from Delhi to Calcutta, Asha, her beautiful older sister Reet, and their mother wait and try to fend off marriage proposals, rebukes from the other women, and a life of servitude and confinement.
Asha’s mother suffers from depression and fits that her daughters describe as visits from the Jailer, when her face and mind go blank. She attempts methods of coping such as knitting or cooking, but as their life circumstances deteriorate, she’s unable to function, leaving Asha in charge of their physical safety and everyday needs.
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“My dad was always curious about humans, how we react in different situations. He asked us hard questions at a young age, and even better, he listened carefully and respectfully when we answered.” p. 39
Yes, My Accent is Real: and Some Other Things I Haven’t Told You by Kunal Nayyar.
Atria Paperback, an Imprint of Simon & Schuster, New York, 2015 (my edition 2016).
Personal essays, 245 pages.
At only 34, Nayyar is best known for playing the role of Rajesh, an Indian immigrant and astrophysicist with selective mutism, on the American sitcom The Big Bang Theory.
I have a soft spot for diverse celebrity memoirs, especially if I happen to actually know who the celebrity is. This was one of those guilty pleasure books that you know won’t be very filling but want to read anyway.
The format was unusual – more like short essays punctuated by “A Thought Recorded on an Aeroplane Cocktail Napkin” every so often. They are roughly chronological (although this isn’t an autobiography) and roughly written, so I believe Nayyar wrote this himself (or if not, his ghostwriter owes him a big refund).
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“How does a teenager come to hold such a view? The answer is simple: people taught him.” p. xii
Acts of Faith: The Story of an American Muslim, the Struggle for the Soul of a Generation by Eboo Patel.
Beacon Press, Boston, Massachusetts, 2007.
Adult nonfiction/autobiography, 189 pages.
Part autobiography, part nonfiction, this is the story of Eboo Patel’s life, how it could easily have been so very different, and what he feels is most important for young people today.
This was a very unique read. Patel intersperses the story of his own life with a look at the way various Western minority youth were influenced by religious extremists and carried out various acts of violence.
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“The curious thing is that the word ‘colorism’ doesn’t even exist. Not officially. […] So how does one begin to unpack a societal ill that doesn’t have a name?” p. 8
Same Family, Different Colors: Confronting Colorism in America’s Diverse Families by Lori L. Tharps.
Beacon Press, Boston, Massachusetts, 2016.
Nonfiction, 203 pages including sources and index.
This is the study of something few non-academics want to talk about – colorism. While everyone can get behind fighting racism, colorism is more insidous, deeply rooted in American racism and refreshed as immigrants arrive with their own cultural ideas of colorism. Tharps combines information from experts with deeply personal stories from families that are biologically related, but have different physical appearances.
A short introduction first tells how Tharps became interested in colorism – she’s African-American, her husband is from the south of Spain and identifies with dark-skinned people, but her three children each appear very different. Tharps then gives some background information on colorism and an overview of the book.
Four chapters focus specifically on different groups. Tharps explains that she chose to work only with biologically related families because she wanted this book to be focused on colorism specifically and adoption adds other dimensions. However she also states adoptive families will find much to relate to here – I agree.
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“All his life in Vietnam my father had been a farmer. Here our apartment house had no yard. But in that vacant lot he would see me.” page 3
Seedfolks by Paul Fleischman, illustrated by Judy Pedersen.
Scholastic, New York, 1999 (first published HarperCollins 1997).
Adult realistic fiction, 69 pages.
Lexile: 710L .
AR Level: 4.3 (worth 2.0 points) .
NOTE: Despite the reading level, I would not recommend this to middle grade readers.
Seedfolks is a collection of 13 short stories by different first-person narrators, all revolving around the first year of a community garden in Cleveland, Ohio.
Normally with short story collections, I comment on each story and then give thoughts on the whole. Because these stories are so short, I’m going to write two or three sentences about each one and then give my general thoughts at the end.
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“I love watching Ma’s hands when she signs. Normally you just watch someone’s face while they’re signing, but I can’t keep my eyes off Ma’s hands.” p. 18
You’re Welcome, Universe by Whitney Gardner.
Knopf, Penguin Random House, New York, 2017.
Realistic fiction YA, 297 pages.
Lexile: HL610L ( What does HL mean in Lexile? )
AR Level: 4.2 (worth 9.0 points) .
When a slur about Julia’s best friend is left defacing the gym for far too long, she takes matters into her own hands, only to be ratted out. Now she’s navigating mainstream high school with an interpreter, trying to deal with friendship drama, her moms, and a growing tag war.
So often in a book about a Deaf person or one that has ASL, it’s shockingly clear the author has no experience around a deaf or hard of hearing person. For example, hearing authors often write Deaf characters as quiet. While some Deaf people might not like to vocalize among hearing people, I’ve yet to meet a Deaf person who is quiet.
In contrast, it’s clear from Whitney Gardner’s writing that she has spent substantial time in the American Deaf community, and has an understanding of ASL. Already on page 18, a character is stomping to get Julia’s attention, and the quote in the header comes from the same page. Gardner’s characters are Deaf, but they aren’t quiet, and she reflects that in a way only possible after learning about Deaf culture.
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