The title of this week’s Website Wednesday was a bit of a challenge! Basically I wanted post a few of the videos that we’ve used to try to learn more about classical Chinese music, dance, and opera. Continue reading “Web: Chinese Performance Art”
While it definitely shouldn’t be shelved in the children’s section, this coming-of-age graphic novel will appeal to YA readers.
Emiko Superstar by Mariko Tamaki, illustrated by Steve Rolston.
Minx, DC comics, New York, 2008.
Graphic novel, 150 pages.
This is the story of one summer in the life of Emiko, a summer that changed her life. It starts out like a normal summer. A coffee shop job doesn’t last, so her mom signs her up for babysitting work. She meets a girl named Poppy and finds herself strangely drawn to Poppy’s mesmerizing, frenetic, artistic life.
There is a lot going on in this graphic novel.
I want to caution readers that this is definitely for teens. We found it at the used bookstore in the kids section, and I assumed that it would be okay for N based on other Minx books I’ve read, which were fine for middle grade readers. Nope!
This is a great book, but the content is intense, and middle schoolers should be discussing it with a parent or teacher. Mariko Tamaki is better known for Skim, an intense YA graphic novel.
The dramatic opening is a little confusing. An edgy, artistic girl with one shoe is coming home late at night. She’s texting her friend and narrates as the images go from her to old photographs. Chapter two backtracks to early summer.
“Trying different foods is a bridge into the many food cultures that make us collectively American.” page 28
Chef Roy Choi and the Street Food Remix by Jacqueline Briggs Martin and June Jo Lee, illustrated by Man One.
Readers to Eaters, Bellevue, Washington, 2017.
Picture book biography, 30 pages.
Lexile: 710L .
AR Level: 4.0 (worth 0.5 points) .
This is the story of Chef Roy Choi, who’s best known for his Kogi food trucks that combined traditional Korean food with popular street foods like tacos or barbecue in a unique and delicious way.
It’s kind of funny that I found this book through the Diverse KidLit linkup. Farmer Will Allen and the Growing Table has been on my wishlist for some time. But honestly, neither of these books would have been on my radar at all without the internet.
Some black authors of the 1800s available free online, and exploration of whiteness and color in modern art.
After reading Nell Irvin Painter’s The History of White People (which I highly recommend), I have a long reading list.
David Walker’s Appeal: in four articles, together with a preamble, to the coloured citizens of the world, but in particular, and very expressly, to those of the United States of America, a 1829 tract by a free black man who also wrote for Freedom’s Journal and delivered addresses on Haitian independence and other topics.
Hosea Easton was another activist, who wrote A Treatise on the Intellectual Character and Civil and Political Condition of the Colored People of the U. States; and the Prejudice Exercised towards Them: with a Sermon on the Duty of the Church to Them. (Also found here.) Interestingly, his father was descended from Wampanoag and Narragansett peoples, but he disavowed any Native blood to ensure his citizenship.
William Wells Brown is an author with prolific and varied output. He’s written a novel, collection of hymns, memoir, travelogue, and the 1874 book Painter cites, titled The Rising Son; or, the Antecedents and Achievements of the Colored Race. I have yet to find that one online but am sure it must exist.
Aside from those new-to-me reads, this book also got me thinking about the concept of whiteness. Not just racially, but also in art (since race and art can intersect beyond literature).
Vox has an interesting take on all white art found in museums (warning for swears):
The Art Assignment has a conversation with Odili Donald Odita about whitescapes and the use and meaning of color, ending with an assignment to try:
“Most of the homes in the village looked the same, with smooth clay walls, thatched roofs, dirt paths, and large stone thresholds. They only looked different on holidays, when girls decorated their family’s paths and thresholds with painted patterns called alpanas, just as their ancestors had done for generations.” p. 8
Bangladeshi girl Naima is a gifted painter and a free spirit who spends every moment thinking about her next alpana pattern, until her family experiences a turn of fortune and she desperately wants to help drive her father’s rickshaw, like her best friend Saleem does for his family. But as a girl she can’t even speak to Saleem now that they are older.
This is a library book which I am hoping to use as a read-aloud at school. It crossed my path very randomly but I am starting to get in the habit of noting (and trying to read) any book with clearly non-white characters on the cover. This sometimes pays real dividends as I find new treasures to read and discover new-to-me authors!