Review: Amari and the Night Brothers

“Still, I’m pretty surprised at how easily moving in the Sky Sprints comes for me. After about an hour, I’m keeping pace with the legacy kids as we race along the walls and take turns avoiding the obstacles…” page 171

Amari and the Night Brothers (Supernatural Investigations #1) by B. B. Alston.
Balzer & Bray, HarperCollins, New York, 2021.
MG fantasy, 410 pages.
Not yet leveled
NOTE: I received a free Advance Reader Edition of this book from a publicist. The artwork and other details were not finalized yet.

Amari is floundering at school and home without her brother Quinton who has been missing, presumed dead, for the past year. Since he disappeared without a trace, even her mother is starting to believe he was mixed up in something criminal – not unusual for their neighborhood, but definitely unexpected for her prodigy older sibling. Amari is determined to find him without any clear idea how to do so when she starts seeing odd things, then finds a ticking briefcase with an invitation that will change her life.

Amari and the Night Brothers by B.B. Alston.

The tagline for this is “Harry Potter meets Men in Black with #blackgirlmagic.” That’s a weighty blurb to live up to, but Alston generally delivers. Potter for the magical (summer) school and hidden world alongside our own mundane reality. Men in Black for the investigations, competition, technology, and… hidden world alongside our own mundane reality.

A decade ago, students were much more specific in their genre requests. They liked fantasy or they liked science fiction and usually they didn’t like the other one. These days I have been seeing more and more genre-bending, -blending, or -blurring stories, especially in the middle grade market. Are young readers these days more open to multi-genre novels? I have long loved both, so it didn’t much matter to me which side this story ended up on.

I’ve written before about how important it is to see microaggressions appropriately portrayed in middle grade fiction, and that was an excellent aspect of this novel. Alston takes the popular fantasy trope of a “chosen one” and wonders – what if the chosen one was still Black and poor and feeling like an outsider? How would someone navigate those different realities – being different and exceptional and special, but doubly despised for being those things while also a different race or class or background than most around her?

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