“It wasn’t my job to provide food, toys, or dress-up clothes for my sisters, but I felt ashamed that someone ended up giving them what my mom never could although she worked so much.” page 212
On These Magic Shores by Yamille Saied Mendez. Tu Books, Lee and Low, New York, 2020. MG fantasy/contemporary, 278 pages. Lexile: not yet leveled . AR Level: 4.8 (worth 8.0 points) .
Minerva Soledad Miranda (call her Minnie, please) just wants to fit in as much as possible, but it’s not easy to keep up with seventh grade, let alone audition for the school play, when she has to watch her sisters while her mom works two jobs. It’s hard to focus when they are crying from hunger. And it’s especially difficult when Mama suddenly doesn’t come home.
As soon as this book arrived, it stood out because of the unusual format. I bought the hardcover, but it’s smaller than any other MG fantasy on my shelf, sized more like a softcover novel. The blurbs were also impressive for a first edition of a new author’s book from an imprint with less than 50 releases.
Tu books is a MG/YA focused imprint of Lee and Low which publishes mainly genre fiction. Their historical fiction has a good reputation, but they’ve only published one other middle grade fantasy novel so far. However, they have a schedule of intriguing books coming up over the next few years, starting with this story of fairies and hardship.
First, just a note to apologize. I’m aware that the author’s last name includes an accent, but with the new version of WordPress, I have not been able to type special characters. No disrespect intended, simply a technical failure here.
…and a (partial) list of his many works by genre and series.
These posts always tend to stem from a review that gets far too long and I just want to talk about something. In this case it’s my experience as a reader, educator, librarian, and finally just a reader again encountering Laurence Yep. In case you are new here (and how did you land on this post first, go read my reviews or booklists first, they’re better), I’ll mention that I do enjoy and often recommend his books, although they have sometimes caused me some hassle.
I have a long, often fraught relationship with the works of Mr. Yep. He has written a lot of books, and is probably best known for either his Golden Mountain historical fiction series or his fantasy novels. He worked with major publishers so his books could be found at the library. The major pre-internet problem we had, though, was that many of his historical fiction works have dragon in the title. And some of his magical books give no indication that they are magical. And he also has historical fantasy. And sometimes the books would randomly get retitled.
A plethora of problematic details ultimately ruin this widely hyped pro-dyslexic novel. See review for quotations.
Fish in a Tree by Lynda Mullaly Hunt.
Puffin, Penguin Random House, New York, 2015.
MG realistic fiction, 276 pages + sketchbook of impossible things and excerpt.
Lexile: 550L .
AR Level: 3.7 (worth 7.0 points) .
NOTE: This review is a lot longer than my usual. If you’d just like a general opinion, scroll down to the final paragraphs.
Ally’s been to half a dozen different schools. With a military dad and working mom, it’s easy to hide things from teachers, like not being able to read. If trouble arises, she just goes with the laughs and builds on her trouble-making reputation. But the new teacher is bringing light to her gifts and might illuminate her struggles also, if she lets him.
I wanted to love this book. It’s been on my wishlist for ages and I hoped this would be a good book to share with the kids. Instead, I feel ambivalent. None of the individual issues alone were major enough to ruin it; some parts I liked, but many aspects were problematic.
“A culture defines its virtues and vices within its folktales.” page 69
The Rainbow People by Laurence Yep, illustrated by David Wiesner. HarperTrophy, HarperCollins, New York, 1989. (See review.) Short story/folklore collection, 194 pages. Lexile: 680L . AR Level: 4.8 (worth 6.0 points) .
Twenty stories drawn from the most common area of Chinese-American immigration, streamlined and retold for younger audiences.
So I’m pretty sure my copy is a knock-off. The cover is the 1992 version, although on close examination it’s subtly off, but the interior copyright page is taken from one of the early 1989 printings. The margins aren’t set correctly and vary too much, and while harder to quantify, the paper and bindings don’t feel right compared to other books from this time period from this publisher that I’ve handled.
I purchased this book online, ostensibly new. After investigation, I don’t believe that the seller of this was aware then that it might be a printing violating copyright, so I won’t mention them specifically. Normally I would get a copy from the library to check if this version is accurate, but in Covid times, that is easier said than done. Perhaps some kind person who has access to a proper version of this book will comment if my citations are correct. I decided to still write this review because I’ve been wanting to talk about Laurence Yep and this book is particularly interesting.
Turning now to this specific volume, it’s a unique work. While I’ve seen many volumes of, or including, Chinese folklore, this book by Yep is the first I’ve seen that suggests a uniquely Chinese-American variety of tall tales. He points out that since the majority of early Chinese immigrants to America came from a specific province, the stories of that region have greater significance than more general Chinese or Asian proverbs.
“… but our whole family lives in New Jersey now. So we are really, truly Americans – North, South, and Central!” page 7
Sarai and the Meaning of Awesome by Sarai Gonzalez and Monica Brown, illustrated by Christine Almeda.
Scholastic, New York, 2018.
Realistic fiction, 108 pages.
Lexile: 690L .
AR Level: 3.8 (worth 1.0 points) .
NOTE: This is the first book in the Sarai series.
Sarai Gonzalez is awesome. She can do anything she sets her mind to, right? But when her grandparents are about to lose their home, can she solve that problem?
I absolutely adored this book and am looking forward to reading more in the series. Sarai is like a modern-day, Latina Pollyanna without the syrupy sweetness. She radiates positivity and a can-do attitude, but also makes mistakes and sometimes meets problems she can’t solve (yet).
A large part of my love for this book was due to the incredibly appealing artwork, which brings me to the biggest problem, which is that the artist is not appropriately credited. Christine Almeda’s name appears only on the back cover and copyright page, and that in small print. Since this is a book with two co-authors (teen Sarai on whose real life the series is based and experienced author Monica Brown), it would be easy for young readers to mistake the cover credits for author and illustrator.
“Her choice to flee the United States and spare her sons further repercussions, rather than tell her story, left me unsettled. I firmly believed this story needed to be told.” page viii
Us In Progress: Short Stories about Young Latinos by Lulu Delacre.
Harper, HarperCollins, New York, 2017.
Realistic fiction, 242 pages.
Lexile: 740L .
AR Level: 5.0 (worth 5.0 points) .
A collection of stories about young Latinos from various backgrounds.
This is a unique collection in many ways. One is that the author is also the illustrator. Delacre’s Introduction is an important part of the book as it explains some of the nuances behind the artwork and writing, including the three layers used on each piece.
” ‘She’s not mine,’ Dwight said. ‘Feels like mine, but isn’t.’ That’s when I realized they were talking about me.” page 129
Waiting for Normal by Leslie Connor.
Katherine Tegen Books, HarperCollins, New York, 2008.
MG contemporary fiction, 290 pages.
Lexile: 570L .
AR Level: 3.7 (worth 7.0 points) .
Addison Schmeeter’s entering a new phase of her life. Since Mommers spent all the mortgage money, they lost the house. Since Mommers left her girls at home alone for three days, the judge gave Addie’s ex-stepfather Dwight custody of her two younger sisters. But Addie’s father is dead, so she’s saying with Mommers except for visits with her sisters. Dwight bought them a trailer, and he gives her money for clothes or food. So it’s sixth grade in another new place.
Most of this review contains spoilers as it’s difficult to talk about the more diverse aspects of the book without giving away plot points. If you prefer to avoid them please skip to the final paragraph for my general opinion.
“And that guy’s not the only one: bouncing his eyes around the room, Scoob realizes a bunch of people are looking at him and G’ma funny. One lady he makes eye contact with openly sneers at him like he’s done something wrong.” page 19
Clean Getaway by Nic Stone.
Crown Books for Young Readers, Random House Childrens, Penguin, New York, 2020.
MG fiction, 227 pages.
Lexile: 780L .
AR Level: not leveled
When William’s grandmother proposes a little trip, he’s all too happy about the loophole in his strict father’s grounding. But as they get further and further from home, and G’ma is acting stranger and stranger, he begins to believe that there is more to this unexpected road trip than he realized.
I hovered over this book a while, confused about the premise, because this doesn’t easily conform to a synopsis. So much happens without ever feeling overwhelming. The main characters are elderly white G’ma and William, who’s Black, eleven, and on spring break. Normally his father would take him on vacation, but some trouble at school led to the trip being cancelled and him grounded. It’s also been part of a larger miscommunication with his father.
“One of the things I hate most in life is people telling me to calm down, as if I’m some out-of-control lunatic who isn’t entitled to have feelings.” page 160
I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez.
Ember, Random House Children’s Books, Penguin Random House, New York, 2017.
YA fiction, 362 pages.
AR Level: 4.7 (worth 12.0 points) .
Julia is not the perfect Mexican daughter. That was her sister, Olga – until she died in a tragic accident that left everyone reeling. Now her already strained relationship with her mother has shattered, her father is a lump, and Julia is obsessed with investigating her sister’s life, trying to get to know the sister who was ignored when she was alive.
Because the majority of this book is about the unfolding drama of Julia’s quest to understand her sister Olga’s life, it’s incredibly difficult to discuss this book in any depth without spoilers. The action spans a space of just about two years, from a few months after Olga’s death, through Julia’s high school graduation.
“You could have been hurt! You two need to be more careful near that inuksuk.” page 10
Putuguq & Kublu by Danny Christopher, illustrated by Astrid Arijanto.
Inhabit Media, Iqualuit, Nunavut, Canada, 2017.
Early reader graphic novel, 40 pages.
Putuguq and his dog are trying to play a trick on big sister Kublu. While running across the tundra they meet Grandpa who reminds them to be careful around the inuksuit. Of course then Putuguq has to try to lift his own stone… but the results aren’t what he expected!
This is the first book of a graphic novel series called Putuguq & Kublu. We had already read the second title (without realizing that it was the second in a series) called Putuguq & Kublu and the Qualupaliit! I didn’t see any more in this series yet, but would definitely continue to buy them if more are released.
This is the introductory book, which shows us a little about our favorite siblings and their world. I’m not very familiar with tundra seasons but am guessing that this takes place in the spring or summer, because flowers are shown blooming.