“The thing about Lulu and me is that we’re at once incompatible and really close. We can have a great time but also hurt each other deeply. […] Jed has never understood how one minute Lulu and I will be screaming death threats at each other, and the next minute we’ll be lying in bed, Lulu’s arms wrapped around me, talking about violins or reading and laughing together.” page 116
Battle Hymn of the Tiger Mother by Amy Chua. Penguin, New York, 2011. Adult nonfiction, 244 pages. Not leveled.
The story of a mother who tries to apply strict Chinese parenting techniques to her American daughters and finds that she’s making all of them miserable.
Battle Hymn of the Tiger Mother by Amy Chua.
Just as I’m working on my goal of trying to write negative and neutral reviews (and thus be able to pass along those books and clear shelves), I was given books by a few different acquaintances. This was exciting as new-to-me books always are, and it was frustrating because there were far more books incoming than outgoing on these review shelves! So I did a push to read and review several in order to keep things moving. Among them were some Amy Chua books, and this was the earliest published so I gave it a try.
“When I opened my eyes, I was, indeed, back home again. I took a deep, shaky breath. I was tingling all over.” page 49
The Cassandra Curse (Muse Squad #1) by Chantel Acevedo. Balzer & Bray, HarperCollins, New York, 2020. MG fantasy, 360 pages. Lexile: 650L . AR Level: 4.6 (worth 12.0) .
Weird things have been happening to Calliope Martinez-Silva (call her Callie, please). She has a terrifying accident, her best friend transforms into a pop star, then she’s informed that she’s one of the nine Muses and a portal sends her to another country. It’s a lot for an eleven-year old! Thankfully there are some other young Muses too, which is timely because with her best friend unrecognizable, Callie needs some backup.
Muse Squad: The Cassandra Curse by Chantel Acevedo.
This book has so much going on. There’s the usual tween intrigue, but made bearable thanks to the magical and mystery aspects. There’s learning to be a muse, and all the different muses from around the world who each have specific powers and callings, and the many many people in Callie’s life and whom she meets on her adventures.
“Ch’idzigyaak sat quietly as if trying to make up her confused mind. A small feeling of hope sparked in the blackness of her being as she listened to her friend’s strong words.” page 15
Two Old Women: An Alaska Legend of Betrayal, Courage and Survival by Velma Wallis, illustrated by James Grant. Originally published Epicenter Press 1993, my edition HarperCollins, New York, 2013. Adult folklore retelling, 134 pages. Lexile: 1030L . AR Level: 6.4 (worth 3.0 points) .
Two elderly women known mainly for complaining are left behind when their people move on in a time of starvation and hardship. If they are to survive in the Arctic, it will take all of their knowledge, strength and determination, plus reserves, or luck, they might not even know they have.
Two Old Women by Velma Wallis.
I took a chance on this one at a used book sale that absolutely paid off. Browsing time was short, and the story looked interesting, but the blurb simply stated that Wallis was “raised with traditional Athabascan values.” This is burying the lede that Wallis is herself Athabascan and thus particularly well suited to write this Gwich’in tale.
I was delighted to see that illustrator Jim Grant is also an Athabaskan native. Most chapters have one or two illustrations (one has none and another has three), and there are also some maps and the chapter ornament. One illustration is full-page, the rest are half-page or less. There are also two frontispieces which depict similar scenes to those found later, but are not the same as those within the chapters. All of the pictures are inserted where they make sense, and have some relevance to the narrative.
Pages 48 and 49 of Two Old Women show one of the full page illustrations, and an example of the text format.
We get a hint of Wallis’ approach to this story when, after the title page, she steps into the dedication – no apologies for those left out, no fluff about how important each person is, simply several pages of names preceded by
This book is dedicated to all of the elders who I have known and who have made an impression in my mind with their wisdom, knowledge and uniqueness.
page ix
Having thanked the elders first, Wallis then steps into a brief, more traditional acknowledgements page which ends with a thank you (Mahsi Choo) to her readers. Only then does she turn to the Introduction about how she first heard this story, her choice to adapt it, and the setting.
Colorful Book Reviews 